Department of the
History of Art and Architecture University
of Pittsburgh
Spring Term 2005
(05-2) Thursdays
8:30--10:50 a.m., Frick 104
Professor Franklin
Toker HA&A1911
CRNHONOR/40027; HA&A2105 CRN40033
Syllabus for
The Destroyed Cathedral of Early Medieval Florence:
Text and Context
CLASS
MEETINGS
Week 1. (6
January): brief overview of the
Florence Cathedral excavations. Medieval archaeology and its limitations. The discredited ossuary of James the Brother
of Jesus. Seminar logistics; preparation
for the February and March symposia.
Week 2. (13
January) What do we know about Roman
Florence? Focus on the Florence Baptistery. read for this week: Franklin
Toker: "A Baptistery below the Baptistery of Florence," The Art Bulletin 58 (June 1976):157-167.
Highly recommended that you also read (but not for presentation):
Franklin Toker: "Excavations Below the Cathedral of Florence,
1965-1974," Gesta 14/2
(1975):17--36 and ibid: "Amid
Rubble and Myth: Excavating Beneath Florence's Cathedral," HUMANITIES 20/2 (March/April
1999):14--18. [These three articles can
be found in electronic format: see the note under "where to find the
readings" below]
Week 3. (20
January) A Roman domus and its transformation into sacred space. The widespread cult of a nonexistent saint. read
for this week: Richard Krautheimer, "The Building Inscriptions and the
Dates of Construction of Old St. Peter's: A Reconsideration," Römisches Jahrbuch der Bibliotheca Hertziana
25 (1989): 1--23; also Franklin Toker, "Krautheimer Made Me Do It:
Solving the Toughest Archaeological Problem of Medieval Florence," CAA
lecture text, 1997. [reserve shelf only, not in electronic format]
Week 4. (27
January) Transformation into S.
Reparata. The church and its mosaic
floor. read for this week: Joan R. Branham: "Sacred Space under
Erasure in Ancient Synagogues and Early Churches," Art Bulletin 74 (Sept 1992):375-394. [electronic format]
Week 5. (3
February) To the year 1000: early
medieval transformations of S. Reparata. read for this week: Donald
Bullough, "Urban change in early medieval Italy--the example of
Pavia," Papers of the British School
at Rome 34 (1966):82-130. [not in electronic format]
Week 6. (10
February) First Romanesque
transformations. Problem of chapel layout ("the Benedictine plan")
and dedications. read for this week: Franklin Toker: "A Gap in the
Liturgical History of Florence Cathedral, and a Byzantine Casket Rich Enough to
Fill It," in Arte d'Occidente: Studi
in Onore di Angiola Maria Romanini (Rome, Edizioni Sintesi Informazione,
1999) II:767--779; also Edson Armi: "Orders and Continuous Orders
in Romanesque Architecture," Journal
of the Society of Architectural Historians 34 (Oct 1975):173--188. [the
first article not in electronic format; the second is]
Week 7. (17
February) Later Romanesque
transformations, and the ritual life of the church and the city around it. read
for this week: Franklin Toker: "On Holy Ground: Architecture and
Liturgy in the Cathedral and in the Streets of Thirteenth-Century
Florence," in T. Verdon and A. Innocenti, ed., Atti del VII Centenario del Duomo di Firenze (Florence, Edifir)
2:544--559. [not in electronic format]
Week 8. (24
February) [first symposium follows,
weekend of 25/26/27]
Week 9. (3
March) two student papers
[Spring
Break: no class on 10 March]
Week 10. (17
March) [first symposium follows, weekend of
18/19/20]
Week 11. (24
March) two student papers
Week 12. (31
March) two student papers
Week 13. (7
April) two student papers
Week 15. (21
April) Final meeting: transformation
into S. Maria del Fiore; the artistic identity of Arnolfo di Cambio expressed
in the Cathedral and S. Croce.
OTHER COURSE
INFORMATION
The seminar format: this is an honors undergraduate and graduate seminar, so it dispenses
with certain conventional trappings of undergraduate lecture courses, such as
exams and textbooks, and the taking of attendance (attendance at every meeting
is mandatory anyway, and we will be few enough that any absence will stand
out). It also dispenses with
lectures. We will instead be working
very closely with the evidence in a series of stylistic time-zones: Roman,
Late-Antique, Early Christian, Early Medieval, Carolingian, Ottonian,
Romanesque, Late-Romanesque, and Gothic.
Meeting the instructor: my office is on the balcony of Frick Library reading
room; our individual meeting hours are normally Friday mornings 9 to 11. Telephone 412.648.2419; e-mail
ftoker@pitt.edu. We will need to meet extensively as you begin your individual
research work.
Student responsibilities: readings, summaries, and
presenters: student responsibilities
will depend somewhat on the dynamics of the seminar as we progress. I do want every seminar member to read the
ten short or reasonably short articles that are specific to the "core
weeks" of the seminar. Each seminar member will sign up to be a
"presenter" of a specific article as the seminar proceeds. Each week, I also want one seminar member to
briefly summarize the work of the preceding week. We will need to remember each week to
designate or self-designate who the two (sometimes three) presenters will be
the next week.
Where to find the readings: our seminar reserve shelf in Frick Library will
carry just a few article offprints, in part because you will be creating your
own research bibliographies, and in part because the more general books on
medieval architecture will be found in the reserves for my parallel course,
HA&A0221, particularly a good general text, Robert Calkins's Medieval Architecture in Western Europe
(New York, Oxford University Press, 1998). The articles listed above as
"not in electronic format" are on our reserve shelf. The articles that are listed in electronic
format are found in hardcopy on the 0221 shelf, but also can be clicked open by
going to the website for 0221: follow www.pitt.edu/~tokerism; click on "Medieval
Architecture"; and find the readings at the end of the file.
Bibliography:
this will be worked up with individual seminar members as you get into your
individual research paths. No one
bibliography could possibly address all the myriad questions we are going to
investigate here.
The emerging text on Florence Cathedral: as advertised in the prospectus for this seminar, I
have a massive but incomplete text that forms an elephantine background to the
work of this seminar. That text is Excavations at Florence Cathedral: Mapping
the Sacred Center of Florence from the Roman Empire to the Renaissance, and
you'll each be reading at least the relevant parts of it during the term. The
text comprises four volumes:
I) On Holy
Ground: Architecture and Liturgy in
the Cathedral and Streets of Medieval Florence (interaction of architecture
and liturgy)
II) Archaeological
Campaigns at Florence Cathedral, 1965--1980: Structures and Artifacts (field archaeology)
III) S.
Reparata: The Architectural History of
the Cathedral of Florence in Late Antiquity and the Early Middle Ages (art history)
IV) When Stones
Speak: The Florence Cathedral
Excavation Results in the Light of History (history)
The February and March symposia: we will work with five outstanding medieval
historians, who are coming to Pittsburgh to respond to those parts of my text
and also to the research themes that you are developing. On the weekend of
February 25/26/27 are coming:
--Prof. Ralph Mathisen (University of Illinois at
Urbana-Champaign), classicist and leading American specialist in Late
Antiquity.
--Prof. Maureen Miller (U.C. Berkeley), who just
recently succeeded the renowned Robert Brentano as Berkeley's main
medievalist. She is a specialist in
physical setting of church administration around the Millennium.
--Prof. Thomas F.X. Noble (director of the Medieval
Institute, Notre Dame University), specialist on the papacy [one of the many
people I consulted in the formation of this group said of Noble's Republic of St. Peter that "all of
us still riffle its pages daily"].
Then on the weekend of
March 18/19/20 are coming:
--Prof. Thomas F. Head (Hunter College), far and away
the leading American specialist in hagiography and the cult of saints.
--Prof. John MacDonald Howe (Texas Tech University),
acknowledged specialist in the eleventh-century church reform, in which
Florence Cathedral was a dominant power.
What this means for us is
an astonishing chance to rub shoulders with these really eminent scholars--and
fire away with questions. But it entails
a great deal of preparation, too. I am
leaving undetermined for the moment whether we will meet on 24 February and 17
March, the sessions that fall just before the two symposia.
Collective work:
there will probably be a good deal of collective work during the term,
particularly involving three vital elements on which we will all draw
collectively. These are:
--organizing the two symposia of invited scholars (see
above).
--organizing the research files for Excavations at Florence Cathedral. Right now they are physically organized but
only in part recorded (this will become clearer when we meet alongside the
files)
--editing the text of Excavations at Florence Cathedral (some part of this must be done
in preparation for the scholars' symposia, but part could be done also as, or
in lieu of, an individual research topic).
Individual research topics: this question also depends enormously on the
dynamics of the seminar itself. Here are
some topics that could be shaped in various directions: seminar members should
contact me so we can define the best possible "fit" between students
and topics.
01)--Late-Antique Florence: what do we know,
hypothesize on? Research would ask about
founding-patterns of Roman cities: where, when, what configurations? What were the workings of the Roman city:
distribution of monuments, etc.
02)--Passage from paganism to Christianity in
Late Antiquity: the fate of the domus
under S. Reparata: attempts to reconstruct it and its neighbors (question of domus types, spread, and function). Is this the correct reading of the vita S. Ambrosii? are there parallels to
it? (Lelia Ruggini already has several).
03)--Creation of S. Reparata I (Early Christian
phase): this would involve a sequence of subfields. What types of situations led to the establishment
of Early Christian churches: a new building on a gravesite (St. Peter's), a new
building within an Imperial property (St. John's Lateran), a new building using
a domus ecclesia (cathedral of
Aquileia, SS Giovanni e Paolo in Rome) etc.
Can we establish a typology of Early Christian churches? (Might involve "double cathedrals,"
and the reasons for them; the Arian heresy, and its implications for
architecture and urbanism; displacement of cathedral sites around town.) Question of church finances in early
Christianity (prominence of inscription to the deacon Marinianus at S.
Reparata: was he spending his money, or that of the community?). Might involve the Goth King Theodoric
(fifth-sixth centuries; a potentially major figure in the building of the
Cathedral of Florence.
04)--Layout and compartments of the Early Christian
mosaic floor: proportion studies and possible liturgical convergence [two
topics can be split or worked as two students together]. Would look at regional
schools of mosaic floor decoration in churches.
05)--Hagiography: where does the cult of S.
Reparata fit in the widest possible perspective.
06)--The "Carolingian" and
"Ottonian" phases of S. Reparata: what do those two terms really
mean in Italy, and what historical basis might they have for changes at S.
Reparata? For example, the ring-crypt and the towers-flanking-apse
configuration? Question would involve the
growth and impact of the cult of relics; the iconoclasic controversy; the
development of the pilgrimage; the creation of the crypt in Rome and emulation
in northern Carolingian architecture: types and spread, connections with
northern Europe.
07)--Earliest Tuscan Romanesque, especially the
eccentric early works in Florence, Arezzo, Pisa, Siena: how does S. Reparata
fit with those? (Romano Silva interesting article involving bishops).
08)--Marquis Hugo, the ivory reliquary, the
influence of Cluny and the "Benedictine" plan, eleventh-century
church reform: how to judge all the factors merging into the eleventh-century
church? Is there a particular
connotation to the "Benedictine" plan in Italy?
09)--Florence as an outpost of the Holy Roman
Empire (especially tenth--eleventh centuries); degree of autonomy and
centralization; involves political, religious, and leadership connections
between Tuscany and Lower Lorraine in the eleventh century.
10)--Schools of Romanesque architecture in Italy
and elsewhere in Europe: where does Tuscany fit?
11)--The last form of S. Reparata's crypt in
13th century: compare Anagni, Arezzo, others.
12)--Liturgy and architecture: translating,
editing, critiquing Volume One: the texts of Mores & Ritus
examined through the perspective of spatial analysis and accuracy of
translations (urban processions could be part or apart from this)
13)--Urban processions (could be with preceding
topic, or separate): what do they mean, how compare to others in Europe; where
did they typically go, and when?
14)--Looking in a cultural or even sociological
perspective at the reciprocal role of cathedral and city in Europe in early
and later medieval Europe. What difference was there between the cathedral-city
relationship in, say, fifth-century Milan, Cologne, and Trier and that same
relationship in Carolingian times, or Romanesque, or Gothic? Topic might examine parish organization,
religious processions, the rise of mendicant-order churches, the challenge of
secular buildings.
15)--Arnolfo di Cambio: his documents, his
trail, his artistic identity
16)--Indexing the excavation journals
17)--Focus on the artifacts: could be a
technical or even editorial expertise on how researchers currently use
artifacts, or it could be an almost-philosophical approach to their meaning,
especially curious ones like a supposed Anglo-Saxon coin or the
Lowlands-manufactured gold buckles? What significance do we take from the
modest but rare Longobard artifacts found?
A cyber-oriented person could take charge of organizing the artifacts
into a database.